jeudi 13 décembre 2018

We need to get back our diversity: Kochi-Muziris Biennale curator Anita Dubey By Trisha Mukherjee

Source The Hans India
She wants to make a point -- that there is no hierarchy in art. “What I have tried to do is to mix up all kinds of styles and languages. There is no hierarchy. None at all. I am not taking contemporary art as top of the hierarchy. I am not letting its aesthetics overpower,” Dube said. The works by B V Suresh, and Durgabai and Subhash Shyam are among the 95 Indian and international artist projects, being showcased at the Biennale. Also lined up is an exciting set of ancillary events, including talks, presentations and discussions by artists and thinkers, film screenings as well as the Music of Muziris concert series featuring artists like the Three Seas Project, T M Krishna, Imphal Talkies, and Insurrections Ensemble among others.
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mardi 11 décembre 2018

The 4th Kochi-Muziris Biennale Begins

Source Blouin Art Info by Archana Khare-Ghose
The fourth edition is curated by Anita Dube, regarded as one of India’s most thought-provoking artists, on the theme “Possibilities for a Non-Alienated Life.” Talking about the response of the artists to the current global socio-political situation, Dube said, “Artists often respond to social and political issues as they unfold, with care and with time. I think this is a crucial understanding both for those who make art and those who consume it — not to expect quick, reactionary responses, but to allow for wellconsidered, organic approaches to happenings in the social sphere.” She added many artists have also come together for social causes, including help for Kerala communities affected by the devastating monsoon floods in August, which displaced one million people. Krishnamachari said that many artists showing at the Biennale have reacted to this and other issues through their art. He cited Ai Wei Wei and JR, who responded to the migration issue by creating major works in public spaces Greece and the Mexican border, respectively; the L.A.-based artist Claire Salvo, who was inspired by the #MeToo campaign for a stippling portrait series called ME:WE; and the work of the Guerrilla Girls.
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dimanche 9 décembre 2018

New film on Jangarh Singh Shyam

Music in the dots: Jangarh Singh Shyam and the mythic dimensions of his work

Source The Sunday Guardian by Bhumika Poplin
Artist Jangarh Singh Shyam was only 40 when he reportedly committed suicide in 2001. A new retrospective of his work is now on view at the Kiran Nadar Museum of Art in Delhi, celebrating this short but remarkable life. Jangarh was truly a prodigy. He was making art since childhood and decorated the walls of his hut with paintings. His images have the capacity to pull the viewer into the art, because he himself was completely immersed in his works. He once said, “The first time I dipped my brush in bright poster colours in Bhopal, tremors went through my body.” This was the time he joined Bharat Bhavan at the invitation of his mentor Swaminathan.
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vendredi 7 décembre 2018

Connecting Threads: Exhibition traces textile histories and practices in contemporary Indian art

Source Firstpost
Anita Dube's 'Ah (a sigh)' (left); 'Silence (Blood Wedding)', 1999, Bones covered in red velvet with beading and lace. From the collection of Devi Art Foundation (centre); and Pushpamalan N's 'Triptych' from the Bombay Photo Studio series (right). It is one of the installations at Dr Bhau Daji Lad Museum's latest exhibition titled ‘Connecting Threads: Textiles in Contemporary Practice’, curated by Tasneem Zakaria Mehta and Puja Vaish. All Image Courtesy: Dr Bhau Daji Lad Museum, Mumbai.
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Anita Dube in Conversation

Source Ocula by Srinivas Aditya Mopidevi
The process of constructing the Biennale was driven by wonderful conversations with artists whose work I have admired for a long time; with artists I encountered during my travels; with my curatorial team; with the [Kochi Biennale] Foundation, and with the huge production apparatus. Without dialogue, solidarity is impossible. This has been the key lesson for me, and the curatorial frame slowly emerged from this process. The project involves a vast array of artists whose practices and backgrounds are connected by threads and narratives that run through the exhibition. What emerges are fragments: groupings of artists that enable a particular thread of the polyphony of the Possibilities for a Non-Alienated Life to be teased out. Propositions and ruptures are also laid out within the architecture of the sites, like the unfolding of a musical score.
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Fighting Climate Change, With Art And Saris

Source The Establishment by Ambika Samarthya-Howard
I was filming Jalobayu (climate in Bengali), Monica Jahan Bose’s collective performance piece, at Select Art Fair in Miami Beach. The performance started indoors with a group of women who all quietly carried 216 feet of sari to a ritual site outside on the beach. After a series of symbolic activities on the sand, Bose eventually wraps herself in a red sari and enters and battles the ocean in a breathtaking statement on climate change. Bose uses the sari—18 feet of unstitched handwoven fabric that is commonly worn by women in South Asia—to represent women’s lives and the cycle of life on our planet. The sari is perhaps the real star of the show. But not just any sari. The sari she uses in the show is written on and worn by the coastal women in Bangladesh. “JALOBAYU juxtaposes women’s words and their worn saris against the backdrop of the rising ocean in Miami Beach,” says Bose. “The intent is to raise awareness of climate change and link Miami Beach to coastal Bangladesh, both of which face devastation due to climate change.”
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jeudi 6 décembre 2018

Jangarh Singh Shyam: A Conjuror’s Archive

Source Kiran Nadar Museum of Art
The Kiran Nadar Museum of Art (KNMA) is delighted to present the opening of exhibition ‘Jangarh Singh Shyam: A Conjuror’s Archive’, co-curated by Dr. Jyotindra Jain and Roobina Karode at KNMA. The exposition is enriched with works brought in on loan from government and private institution collections and many private collectors. The exhibits include paintings on paper and canvas, terracotta murals, digital prints of photographs, Jangarh’s letters, and reproduction of mural images and theatre posters which incorporated Jangarh’s art work. A substantial showing in this exhibition of Jangarh’s works has come from The Museum of Art and Photography (MAP), Bangalore. Works from institutions such as Bharat Bhawan in Bhopal and The Crafts Museum in New Delhi are historically important as they were places where Jangarh worked on-site projects. Some in-situ murals will be reproduced for the exhibition. The book by Dr. Jain (who is a cultural historian and museologist), offers rare insight into the life and works of Jangarh Singh Shyam.
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dimanche 2 décembre 2018

Art collector and gallerist Amrita Jhaveri on her latest auction, and future of Indian art market

Source Firstpost by Geetha Jayaraman
Though she was introduced to art by her parents at a young age, her love for it manifested much later in life. Meet Amrita Jhaveri, South Asian art expert and collector, who over the years have acquired works of a vast number of Indian contemporary artists. In addition to a two-decade collecting history, Jhaveri has authored a book on Indian art and was instrumental in bringing a sculpture show by British-Indian artist Anish Kapoor to India in 2010. She also runs a gallery in Mumbai, Jhaveri Contemporary, with her sister Priya. We get to glimpse of that collection as she sets to auction 43 selected works of Indian contemporary artists in a Saffronart online auction titled ‘Amaya Collection’ to be held on 4 and 5 December, 2018.
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samedi 1 décembre 2018

Hervé Perdriolle, the Parisian curator

Source Sunita Nair
Hervé Perdriolle played a pioneering role in exposing Indian indigenous art at international art forums since the 1990s, after the Indian government had searched out artists from the villages in Maharashtra and Bihar and other states in order to keep alive their vibrant art traditions. This tall and affable Parisian art dealer, curator and lover of art brut and outsider art – outside the mainstream of ‘high’ art – became passionate about the work of Jivya Soma Mhase since their first meeting in 1998.
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vendredi 30 novembre 2018

Tyeb Mehta's "Durga" fetches Rs 20 cr at Sotheby's auction

Source Business Standard
Tyeb Mehta's painting "Durga Mahisasura Mardini" was sold for USD 2.9 million (Rs 20.49 crore) at Boundless India, Sotheby's inaugural auction in Mumbai, Thursday evening. Art works worth USD 7.9 million (Rs 55.40 crore) were sold at the auction, a Sotheby's official said, adding over 75 per cent of sold lots achieved prices above their pre-sale high estimates. Mehta's painting had remained in the same private collection ever since it was commissioned directly from the artist in 1993. Strong competition for Amrita Sher-Gil's "The Little Girl in Blue" led the painting to sell over the high estimate for Rs 18.69 crore (USD 2.7 million), a record price for the artist in India. This is only the seventh oil painting by the artist to be offered anywhere in the world. The work had remained in the same collection for 80 years, since it was selected by Sher-Gil for her first solo show in 1937.
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Amrita Sher-Gil, Known as ‘India’s Frida Kahlo,’ Is a Standout at Sotheby’s Inaugural Auction in Mumbai

Source Artnet News by Sarah Cascone
A rare work by Hungarian-Indian artist Amrita Sher-Gil (1913–1941), who was nicknamed the “Indian Frida Kahlo,” was among the top sellers at “Boundless: Mumbai,” the inaugural sale for Sotheby’s India, held today in Mumbai. Her piece, The Little Girl in Blue (1934), went for 18,68,75,000 INR ($2.54 million), well above its presale high estimate. Previously, only two oil paintings by Sher-Gil had ever been auctioned in India, and only six worldwide. The sales totals for the night were 56,08,00,000 INR ($7.9 million)—roughly matching expectations—with 11 lots failing to sell. The move into the Indian market is not without risk for Sotheby’s. The country’s economy and art market appears to be growing, but the same was true ahead of 2008’s recession, and optimism in the region is understandably mixed with caution after the once-booming market cratered a decade ago. Christie’s stopped its annual live auctions in Mumbai last year.
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jeudi 29 novembre 2018

Tyeb Mehta and Amrita Sher-Gil to lead Sotheby's first auction in India

Source The Telegraph by Smita Tripathi
On November 29, at the Taj Mahal Hotel in Mumbai, as the clock strikes seven, 60 lots will go under the hammer at Sotheby's first ever auction in Mumbai, called 'Boundless: India'. This landmark auction will make Mumbai Sotheby's 10th sale location globally. The pieces featured in the auction, as the title suggests, transcend time and geography. Says Yamini Mehta, International Head of Modern and Contemporary South Asian Art at Sotheby’s,"The idea of not having categorisation in the works and by calling the sale 'Boundless' means that we can look at works not just by Indian artists but also works that are inspired by India." So there are architectural drawings of IIM Ahmedabad by Louis Kahn, mid-20th century furniture by Pierre Jeanneret, a 1948 photograph of Srinagar by Henri Cartier-Bresson among the lots.
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mardi 27 novembre 2018

Jangarh Singh Shyam New Book

lundi 26 novembre 2018

Collateral exhibition at the Kochi-Muziris Biennale 2018

Source MAP
Following a year-long conservation project of its eighteenth-century Dutch warehouse in Fort Kochi, MAP is proud to offer this space once again as a venue for the forthcoming Kochi-Muziris Biennale. As a separate collateral exhibition during the Biennale, MAP has also invited the French artist Georges Rousse and Greek designer Nassia Inglessis to create installations throughout the first floor of the venue which will be on display for the duration of the Biennale.

Jangarh Singh Shyam book launch

Source MAP
Jangarh Singh Shyam: A Conjuror's Archive, authored by Dr. Jyotindra Jain and published by MAP will be released this December. The book is an in depth and critical introduction into the work of India’s seminal ‘tribal’ artist, exploring both his context and legacy. It also examines the events surrounding his tragic suicide in Japan in 2001, with previously unpublished letters from Jangarh to his family in the weeks leading up to his demise. To coincide with its release, MAP is working with the Kiran Nadar Museum of Art (KNMA) in Delhi where over forty five of Jangarh’s paintings and drawings from MAP's collections will be on display, as part of an exhibition curated by Dr. Jyotindra Jain and Roobina Karode.

Emami Group to start 70,000 sq ft interactive art facility in Kolkata

Source Money Control
Adding its creative touch to the culture capital of the country, Emami Group is all set to throw open the doors of a 70,000 square foot space called The Kolkata Centre for Creativity (KCC) this November. To be inaugurated on November 21, KCC would be the first multi-dimensional interactive art centre for modern and contemporary Indian art in the eastern part of India. “KCC will also house, Emami Art Gallery space with a regular programme of exhibitions by artists of national and international repute. We would have a different programme every month for artists. The first year Emami art will host the first ever solo exhibition of Late Dashrath Patel, followed by exhibitions of Bose Krishnamachari, Ravinder Reddy and Jogen Chowdhury,” said Richa Agarwal, executive director, KCC and CEO at Emami Art.
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Delhi-based artist wins Emerging Artist Award, Swiss residency

Source Business Standard
Delhi-based artist Anupam Roy, whose "large-scale drawings and paintings speak about systemic violence and injustice", has bagged the Emerging Artist Award 2018 granted by the non-profit Foundation for Indian Contemporary Art (FICA). Given annually in collaboration with Pro Helvetia (Swiss Arts Council), the award seeks to promote young artists who are studying or practising in India, and demonstrate extraordinary skill and promise in the visual arts, FICA said in a statement. As part of the award, he would receive a 90-day residency in Switzerland in 2019, supported by Pro Helvetia -- something the jury felt would help develop his practice and in forging further artistic collaborations, FICA said.
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A Conjuror’s Archive

Source MAP
MAP is excited to announce that it will be contributing through a loan of 46 artworks to an exhibition of India’s seminal ‘tribal’ artist, Jangarh Shyam Singh, curated by Dr. Jyotindra Jain and Roobina Karode. Organised at the Kiran Nadar Museum of Art (KNMA), A Conjuror’s Archive will explore the oeuvre and legacy of Jangarh Singh Shyam and trace both the evolution of his own practice and his impact upon contemporary and future generations of artists. A whole range of conditions, events and mediations associated with Jangarh’s life and his art practice has since remained underexplored. This exhibition attempts to construct an equitable account of the formation of his prodigious artistic body of work that founded his legacy and grew into a movement. It also probes the efficacy of extra-cultural interventions into an individual artist’s operative and relatively well-grounded indigenous cultural tradition, and asks how the latter interacts with the new, while intentionally reinventing itself.
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lundi 12 novembre 2018

Fraudulence framed: What’s with this picture?

Source Livemint by Vivek Menezes
Nirav Modi placed big artists and their artworks up front in his story of simple-living millionaire boy turned ultra-cosmopolitan billionaire. Both “Souza’s” at his elbows are fakes. Francis Newton Souza died in 2002 on a visit to Bombay from his home in New York, just as the market value of modern and contemporary Indian art had begun to explode. In his lifetime of exuberant highs mixed in with plentiful hard knocks, the 78-year-old never sold a painting for even $10,000, and his passing went largely unremarked. At that time, the poet and critic Adil Jussawalla wrote with great anger about “the near-indifference to his death, the mealy-mouthed praise” saying, “I’m shocked…Surely there’s little doubt he was one of our greatest painters.” In fact, India’s burgeoning art marketplace did respond immediately afterwards, with ghoulish alacrity. Less than twelve months passed after his burial in Sewri cemetery before the top price for Souza’s paintings crested $100,000, then in fairly short order surged well past a million dollars. In 2015, his monumental ‘Birth’ sold for just over $4 million, setting the record for the most expensive Indian painting ever sold (that benchmark has since been broken by his Goan countryman, friend and colleague Vasudeo Gaitonde). Before he died, a good part of Souza’s last years were consumed by rage and frustration because he detected that his work was being widely forged with impunity. On 20June 1997, he wrote an incendiary open letter to Geeta Mehra, the director of Sakshi Art Gallery on Altamount Road in Mumbai, complaining “there are numerous fakes in the art market, not only in India but in Europe. Mr. Julian Hartnoll, of the Hartnoll Gallery, showed me several fakes and forgeries of my work being sold in London…since Indian art has found a fairly stable art market, many unscrupulous persons are dealing in fakes!”
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Kochi-Muziris Biennale: All You Need To Know About The Largest Art Festival In India

Source Republic by Diyali Banerjee
The international exhibition is reportedly the biggest contemporary art festival in Asia and will be held across nine venues featuring 95 artist projects. Works in the exhibition will be contributed by eminent artists including Dayanita Singh, Subodh Gupta and Anish Kapoor among others. It will be organised in several heritage venues including Fort Kochi, Mattancherry, and Durbar Hall in downtown Ernakulam. As per media reports, a team of 20 trained Art Mediators will be residing in Kochi through the span of the event. They will hold guided tours for the visitors, free, and will communicate with them in both English and Malayalam. Visitors will also have the provision of buying personal guided tours with a Mediator. The major art event comes just four months after Kerala suffered a disastrous flood, that caused huge damage to the state. However, the state is reportedly undergoing a fast recovery as several non-profit organizations have joined hands with the government for the cause.
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1000 ancient idols smuggled out of India every year

Source The New Indian Express
An estimated 1,000 pieces of ancient artworks are stolen from Indian temples every year and shipped to the international market, according to Singapore-based Indian-origin shipping executive. "We are estimating about close to 10,000 major work of arts leaving India every decade," said S Vijay Kumar, who has been tracking the theft of venerable gods and goddess for 15 years. Some of these are as heavy as 15-16 tonnes. Kumar has detailed the artwork theft in a book "The Idol Thief", which was launched in Singapore on Saturday. "We have tracked some of the huge objects, 15-16 tonnes sculptures, that have left the country by Ocean containers, declared as brassware and garden furniture," Kumar told. Giving a comparison, he said Italy was the front runner in protecting its artwork with tough laws which has helped recover 378,000 pieces 2012 while India has rescued 27 pieces since 2012.
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samedi 10 novembre 2018

Over 800 photographs of historic India to be offered at an auction in London

Source Indulge by N.J. Pinto
More than 800 historic photographs of India will be offered at Sotheby’s in London on 13th November as part of the Travel, Atlases, Maps & Natural History sale. Many come from the collection of Sven Gahlin (1934-2017), a Swedish-born collector and art historian known for his connoisseurship. His interest in Indian art began in the 1960s when he started building a superlative collection of Indian miniatures, sold at Sotheby’s London for £4.6m in 2015. Now, over 250 photographs from his collection are appearing at auction for the first time, led by a magnificent album including 80 portraits of Indian Maharajahs, Rajahs and Nawabs (est. £30,000-40,000).
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Indian artists reach for the stars

Source Livemint by Benita Fernando
If astronomers have looked for answers by scanning the outer reaches of the known universe, so have artists. In many ways, the cross-pollination between astronomy and art is successful not because of the scope of vibrant metaphors or poetic titles but because the astronomer and the artist consider the fundamental questions of the human condition: Where are we from? What are we doing here?
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